Here is a question haunting Brian Eno to this day. In a conversation with Vikas Shah uploaded in January, the British artist and musician recounts the story of how Joan Harvey - the mother of his ex-girlfriend - asked him: “Why would someone with a brain like yours waste it being an artist?” This precise question drove Eno to explore the reasons why humans make art and why we are creative.
In this text I will quote the interview referenced above to help structure my summary of the past year through the lens of art. The banner picture of this article shows a snapshot by Mike Wall of a live concert. Musical performances are one form of artistic expression. Photography is another and so is dance, film, etc. Please feel free to apply what is discussed below to any artistic discipline of your choosing.
Imagination takes practice
As the pandemic confined us, many forms of play were scrapped or postponed. Some have been able to carry on, with the support of an organization I became co-founder of. Artists Unlimited created a platform enabling artists to organize paid live streams for fans to enjoy online. From the moment the virus hit until June of this year, Artists Unlimited hosted about 30 events ranging from rock, hip-hop and stand-up comedy to poetry, classical music and workshops.
According to Eno, play turns into becoming an artist as soon as you grow older. At some point in our lives we are told to get serious however, instead of doing things for the pleasure of doing them. Yes, art can be serious business, but most of the time it's actually not. I genuinely believe that even if the practice of art doesn’t generate a profit, it should never stop us from cherishing and pursuing it.
Before we could speak
“We’re all a little lost and it’s alright.” Few phrases have managed to comfort me in the way that those lyrics did from Nightbirde’s song ‘It’s Okay’. It wasn’t just her lines to the song that made Simon Cowell hit the Golden Buzzer at America’s Got Talent. It was her gripping story, her kind delivery and - perhaps most importantly - the way she sang that song.
“There is a theory that we sang before we could speak,” posits Eno. If we assume that the act of singing predates everything, then it’s important that we arrive at a clear understanding about its value, what it does to us and how it makes us feel.
Vocabulary of feelings
Rushkoff’s quest over the years has been to recover and nurture our shared sense of humanity amidst the onslaught of extractive capitalism, techno-utopianism, reductionist scientism and climate catastrophe. What makes us human? Do we escape to outer space, surrender our agency to artificially intelligent robots, turn nihilist and regress to Us vs. Them? No, we remain open and meet each other halfway in that squishy centre where mystery and feelings reside. Experiencing art may allow us to do exactly that.
Works of art to draw upon and collectively engage with are essential to a well-functioning society. Why? Because often we are making our decisions on the basis of feelings. “Art exists to make us feel differently,” says Eno. “Art is cultivating a vocabulary of feelings and giving us a repertoire of experiences that we have feelings about.” By allowing art to affect us, we learn to respond more consciously to the world - as individuals or as a community.
The village well
As I started taking a language course this year, my evenings got filled with French movies and documentaries. One I came across was 'Christo & Jeanne-Claude - L’art de cacher, l’art de dévoiler' (available until December 13th via arte.tv). The documentary includes a magnificent sequence in which artists Christo and Jeanne-Claude speak up at a town hall meeting. Jeanne-Claude in particular makes her case for wrapping the Arkansas River in large textile materials - the couple’s signature style of outdoor intervention - thereby crossing the land of many farmers and landowners who have assembled in protest, preventing the artwork to be installed. “I believe that the majority wish to share an absolutely beautiful experience!” shouts Jeanne-Claude. Her plea is met with silence across the room. The project was eventually abandoned. Not all dreams come true, but some do. In September this year, the city of Paris featured the duo’s posthumous work ‘The Arc de Triomphe Wrapped’.
Visionary art
For a while now I have been fascinated with the work of a number of painters belonging to the category of visionary artists. A landmark series of exhibitions is currently being held at Mesa Arts Center in the state of Arizona featuring the works of Alex & Allyson Grey and Amanda Sage.
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| 'The Great Wave of Trainsformation' by Amanda Sage & Joe Bob Merritt |
Nearby in Las Vegas, digital renderings of the paintings by Sage and the Greys are part of Meow Wolf’s immersive installation Omega Mart at Area15. Visitors to the space are invited to walk through the Projected Desert, surrounded by animated imagery based on the painters’ work. Who provides the soundtrack to this artful desert trip? You guessed it: Brian Eno.
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What’s the takeaway here? Put effort and attention towards creative expression. Continue creating that more desirable reality. It’s never too late to discover what really matters to you.
Merry festivities, happy new year and I wish you the best in times to come.


